We're down to the last major pieces of Adobe CS5 Web Premium, but last doesn't always mean least. OR DOES IT??? HMMMM??? With that as a spectacular teaser, let's spend our final installment looking at two holdovers from those halcyon Macromedia days of yore: Dreamweaver, the venerable web site building tool, and Fireworks, the oft-overlooked prototyping and vector/bitmap editing powerhouse.

Honesty time, dear readers: I don't think this is going to be an actual review. As Velveeta is to real cheese, there may be some review-like qualities to what follows, but considering the current all-out assault on Flash and everything it stands for, it may be beneficial to take a larger view of what Adobe has done in Web Premium CS5, namely the inclusion of not one, not two, but three separate tools for creating Flash content.

Adobe CS5 is finally shipping, so over the next few weeks we'll looking at the major programs which comprise the Web Premium package, starting off with the old stalwarts of the group. Now, it's somewhat hard to believe that 2010 marks Photoshop's 20th anniversary, with Illustrator having been around for a few years even before that, but here we are. Both products have certainly seen a lot of design trends and operating systems come and go in their time, but lest I take a long, nostalgic detour down software memory lane, let's simply get to the latest and greatest.

Eighteen months, seemingly like clockwork. A mere year-and-a-half after CS4 was released (which itself was a mere year-and-a-half after the release of CS3), Adobe has unveiled the CS5 lineup. Having had a chance to see and try the new versions for myself over the past several weeks, here are some general observations about the latest versions of Adobe's software überbundles.

It's been a while, but Adobe's announcement of Flash Platform Services for Distribution (which we'll shorten to AFPSD for the duration) begs for the not-quite-famous "fake FAQ" treatment, where your humble host asks made-up questions of, well, himself in an attempt to make further sense of the official AFPSD press release. With that as the setup, let's get to those "frequently asked questions."

In the spirit of the four year hiatus between versions (and accompanying uncertainty as to the dead/not dead status of the product), it's only fitting I let almost a year roll by between the announcement/release of Director 11 and finally getting around to reviewing it. In any event, Director is back from its long slumber, so let's take a look at what the eleventh release of the former king of the multimedia hill brings to the table.

Last summer I got curious. With the advent of Intel Macs, Boot Camp, and Universal builds of After Effects, for the first time it was possible to forget about all the Intel vs. PowerPC benchmarks that had been run to that point and effectively remove hardware from the equation, focusing solely on the OS and how well AE was tuned to it. XP took the prize back then, but I'm curious again, and with Mac OS X Leopard, 64-bit Vista, and After Effects CS4 at my disposal, it's time to find out where things stand today.

I have a confession to make: while I covered the initial announcement of Adobe Fireworks CS3 in the spring of last year, I never followed up with a full review. Why? Because, frankly, there wasn't much to it. It seemed like a quick port, done under duress and ultimately boasting only a thimbleful of largely forgettable features, not to mention the seemingly halfhearted attempt to give Fireworks a new purpose as a prototyping tool. The good news is that the situation couldn't be more different with the latest version of the former Macromedia stalwart, so let us count the ways.

It only took the better part of a decade, but Dreamweaver CS4 finally adds enough features and enhancements to earn a reprieve from what I thought would be the inevitable call to nuke it from orbit. And while it doesn't get all the way to where I'd personally like to see the product, Dreamweaver CS4 seems to have reversed its slow (and sad) decline, and for the first time in a very, very long time, I've come to like where things are going.

I have bad news for those out there who were expecting Flash CS4 to, well, suck: It doesn't. Far from it. Adobe certainly seems to have responded to the pressure of having viable Flash competition by delivering a polished upgrade that is chock full of thoughtful improvements and useful new features. So despite the fact that I've spoiled the ending, I hope you'll come along as we explore the latest and greatest in the most recent release of the Flash authoring tool.

It's almost hard to believe that Photoshop has been around for close to two decades, and to say that it has come a long way from its humble beginnings would be something of an understatement. It's also similarly hard to believe that Photoshop CS3 was only released last year, so what does the CS4 version (11.0 for those keeping track of traditional version numbers), which is now shipping only a scant 18 months later, bring to the table? Let's dive in and find out.

Such is the nature of the upgrade cycle: just as creative types were getting used to the CS3 line, Adobe goes and announces CS4. And while you've likely seen myriad press releases and first looks and other introductory stuff by now, here are a few "below the fold" observations based on the the experiences I've had with the CS4 betas over the last several weeks.

Naturally, questions are going to be raised when any software product takes a four-year hiatus, especially when the program in question happens to be a stalwart multimedia veteran like Director, the eleventh version of which was finally released several months back. Enter Adobe's Director Evangelist, Allen Partridge. Allen started out in design, but eventually dove headfirst into Director programming, giving him a unique perspective of the product from several different angles. Allen was kind enough to sit down recently for a candid discussion on where Director has been, is now, and where it may be going.

It seems that every time Adobe announces anything having to do with the Flash Platform, there is always an accompanying opportunity to talk to a representative from EffectiveUI, a Denver-based Rich Internet Application (RIA) provider which boasts a current staff of 79 and also has offices in Rochester, NY and Vancouver. As EffectiveUI is in the enviable position of getting to develop new and cool interfaces against very early versions of Adobe technology, a chance to speak with Anthony Franco, EffectiveUI's president, about Flash Player 10 and where the platform is going was too good to pass up.

There are many, many reasons to love Intel Macs, but the one I'm going to focus on today is Boot Camp. Being able to run a full copy of Windows natively on the exact same hardware as Mac OS X not only represents a 2-for-1 bang for your buck when it comes to buying a production rig, but also gives average Joes such as yours truly the opportunity to compare apples to apples (so to speak) when running cross-platform software. And with After Effects CS3 finally out in the wild (and in Intel Mac-native form, no less), it's time to see how well the Mac and Windows versions of AE do on identical hardware.

Believe it or not, there are still folks out there using Director for multimedia authoring, even as Adobe pushes the Flash platform ever forward and preps AIR as the technology of choice for desktop-based applications. And while it's been more than a year of silence since the "Director is not dead" proclamation was issued by Adobe's former Director Product Manager, in the interest of keeping the fires lit, here's a tidbit for how to make Director projectors (with the help of the essential Buddy API Xtra) recognize whether they're running on an Intel or a PowerPC-based Mac.

Regardless of what you may specifically think of the CS3 iteration of the venerable Dreamweaver visual Web editor, even the most hardened skeptics would probably be forced to (grudgingly) agree that the integration of Adobe's Spry framework for Ajax into Dreamweaver CS3 is, to put it very technically, pretty freaking cool.

It's the moment that a whole bunch of Web designers and producers (especially those with Intel Macs) have been waiting many a moon for: Adobe's CS3 Design and Web suites are finally shipping. Today, we're going to be checking out the Web Premium bundle, which features former Macromedia products finally brought together with traditional Adobe stalwarts in an all-star lineup of Web production bliss. That's the idea, anyway—out in the field, the Web Premium suite is a blend of fantastic features and worthwhile upgrades mixed with a sizable amount of disappointment.

Like the weekly serials of old, we left off last time with a cliffhanger. What treats were there to be found in the rest of the CS3 Production Premium bundle? Which goodies in After Effects, Encore, Photoshop Extended, and even OnLocation and Ultra would appeal to motion graphics and interactive folk? Well, you didn't have to wait too long to find out, so let's get this sucka done.

I was somewhat skeptical about what the forthcoming Adobe CS3 Production Premium bundle would offer outside of Flash and After Effects; after all, I have precisely zero skills when it comes to the "front end" of production (shooting, capture, editing, etc.). My interests lie squarely down the line (motion graphics, interactivity, Web distribution), so my initial thought was that the entire bundle might be of limited total value to someone like me. However, after seeing and using a pre-release version of the suite for myself, it turns out that there are a lot of hidden gems in surprising places.