There are many, many reasons to love Intel Macs, but the one I'm going to focus on today is Boot Camp. Being able to run a full copy of Windows natively on the exact same hardware as Mac OS X not only represents a 2-for-1 bang for your buck when it comes to buying a production rig, but also gives average Joes such as yours truly the opportunity to compare apples to apples (so to speak) when running cross-platform software. And with After Effects CS3 finally out in the wild (and in Intel Mac-native form, no less), it's time to see how well the Mac and Windows versions of AE do on identical hardware.

Believe it or not, there are still folks out there using Director for multimedia authoring, even as Adobe pushes the Flash platform ever forward and preps AIR as the technology of choice for desktop-based applications. And while it's been more than a year of silence since the "Director is not dead" proclamation was issued by Adobe's former Director Product Manager, in the interest of keeping the fires lit, here's a tidbit for how to make Director projectors (with the help of the essential Buddy API Xtra) recognize whether they're running on an Intel or a PowerPC-based Mac.

Regardless of what you may specifically think of the CS3 iteration of the venerable Dreamweaver visual Web editor, even the most hardened skeptics would probably be forced to (grudgingly) agree that the integration of Adobe's Spry framework for Ajax into Dreamweaver CS3 is, to put it very technically, pretty freaking cool.

It's the moment that a whole bunch of Web designers and producers (especially those with Intel Macs) have been waiting many a moon for: Adobe's CS3 Design and Web suites are finally shipping. Today, we're going to be checking out the Web Premium bundle, which features former Macromedia products finally brought together with traditional Adobe stalwarts in an all-star lineup of Web production bliss. That's the idea, anyway—out in the field, the Web Premium suite is a blend of fantastic features and worthwhile upgrades mixed with a sizable amount of disappointment.

Like the weekly serials of old, we left off last time with a cliffhanger. What treats were there to be found in the rest of the CS3 Production Premium bundle? Which goodies in After Effects, Encore, Photoshop Extended, and even OnLocation and Ultra would appeal to motion graphics and interactive folk? Well, you didn't have to wait too long to find out, so let's get this sucka done.

I was somewhat skeptical about what the forthcoming Adobe CS3 Production Premium bundle would offer outside of Flash and After Effects; after all, I have precisely zero skills when it comes to the "front end" of production (shooting, capture, editing, etc.). My interests lie squarely down the line (motion graphics, interactivity, Web distribution), so my initial thought was that the entire bundle might be of limited total value to someone like me. However, after seeing and using a pre-release version of the suite for myself, it turns out that there are a lot of hidden gems in surprising places.

Even though I'm only a casual Dreamweaver user these days, I get excited every time a new version of the legendary visual editor is released, hoping against hope that this is the one that gets me to abandon my now stubbornly-ingrained habit of hand-coding HTML and CSS and back into really (ab)using the product that I loved so dearly in the late 90s. It's now Dreamweaver CS3's turn at bat, so let's find out how it does in its first plate appearance as an Adobe product.

It hasn't even been two years since Macromedia-that-was unleashed Flash 8 (a huge step forward for the juggernaut [insert favorite use here] application), and now along comes Flash CS3 Professional. Sporting a new surname and a slew of new features, how does the now-Adobe product stack up, even as Microsoft's Silverlight (the technology formerly known as "Sparkle") begins its attempt to crash the party? Read on to find out.

Adobe today used the occasion of the annual NAB conference to announce the Adobe Media Player, a desktop-based application built on the Apollo framework which will contain features targeting media producers and consumers alike. It's not due until later this year, so there's a lot that can change, but having recently had the chance to be briefed on an early version of the product, I thought it would be a good idea to do a completely made-up question-and-answer session to better address some of the information not readily apparent in the official press release.

Unless you've been living under a rock (or perhaps in a spacious yet private cave), you very likely have heard the news by now that Adobe has announced approximately 4,927 new versions of the Creative Suite 3 line of products. For our purposes here today, however, I want to focus on two things: the word "Web" and the number 13. That is, we're gunning for the CS3 Web Premium bundle and 13 of the things I keep coming back to as neat-o new features.